So we took heart and went at it again. The ruined engine was lashed down on its rotten foundation; the smashed castings and cogs of the power transmission were taken down and stored away—all for the purpose of taking them to Honolulu where repairs and new castings could be made. Somewhere in the dim past the Snark had received on the outside one coat of white paint. The intention of the colour was still evident, however, when one got it in the right light. The Snark had never received any paint on the inside. On the contrary, she was coated inches thick with the grease and tobacco-juice of the multitudinous mechanics who had toiled upon her. Never mind, we said; the grease and filth could be planed off, and later, when we fetched Honolulu, the Snark could be painted at the same time as she was being rebuilt. There are captains and captains, and some mighty fine captains, I know; but the run of the captains on the Snark has been remarkably otherwise. My experience with them has been that it is harder to take care of one captain on a small boat than of two small babies. Of course, this is no more than is to be expected. The good men have positions, and are not likely to forsake their one-thousand-to-fifteen-thousand-ton billets for the Snark with her ten tons net. The Snark has had to cull her navigators from the beach, and the navigator on the beach is usually a congenital inefficient—the sort of man who beats about for a fortnight trying vainly to find an ocean isle and who returns with his schooner to report the island sunk with all on board, the sort of man whose temper or thirst for strong waters works him out of billets faster than he can work into them.!

Arriving at the top of Ecquemanville, she saw the lights of Honfleur shining in the distance like so many stars; further on, the ocean spread out in a confused mass. Then a weakness came over her; the misery of her childhood, the disappointment of her first love, the departure of her nephew, the death of Virginia; all these things came back to her at once, and, rising like a swelling tide in her throat, almost choked her. Two weeks later he said, “I’m getting my head in training for that match.”

Tautai-taora is the name for stone-fishing, tautai meaning a “fishing instrument.” And taora meaning “thrown.” But tautai-taora, in combination, means “stone-fishing,” for a stone is the instrument that is thrown. Stone-fishing is in reality a fish-drive, similar in principle to a rabbit-drive or a cattle-drive, though in the latter affairs drivers and driven operate in the same medium, while in the fish-drive the men must be in the air to breathe and the fish are driven through the water. It does not matter if the water is a hundred feet deep, the men, working on the surface, drive the fish just the same. The camera cannot do justice to the House of the Sun. The sublimated chemistry of photography may not lie, but it certainly does not tell all the truth. The Koolau Gap may be faithfully reproduced, just as it impinged on the retina of the camera, yet in the resulting picture the gigantic scale of things would be missing. Those walls that seem several hundred feet in height are almost as many thousand; that entering wedge of cloud is a mile and a half wide in the gap itself, while beyond the gap it is a veritable ocean; and that foreground of cinder-cone and volcanic ash, mushy and colourless in appearance, is in truth gorgeous-hued in brick-red, terra-cotta rose, yellow ochre, and purplish black. Also, words are a vain thing and drive to despair. To say that a crater-wall is two thousand feet high is to say just precisely that it is two thousand feet high; but there is a vast deal more to that crater-wall than a mere statistic. The sun is ninety-three millions of miles distant, but to mortal conception the adjoining county is farther away. This frailty of the human brain is hard on the sun. It is likewise hard on the House of the Sun. Haleakala has a message of beauty and wonder for the human soul that cannot be delivered by proxy. Kolikoli is six hours from Kahului; Kahului is a night’s run from Honolulu; Honolulu is six days from San Francisco; and there you are. To begin with, there are the compasses and the setting of the courses. We sailed from Suva on Saturday afternoon, June 6, 1908, and it took us till after dark to run the narrow, reef-ridden passage between the islands of Viti Levu and Mbengha. The open ocean lay before me. There was nothing in the way with the exception of Vatu Leile, a miserable little island that persisted in poking up through the sea some twenty miles to the west-southwest—just where I wanted to go. Of course, it seemed quite simple to avoid it by steering a course that would pass it eight or ten miles to the north. It was a black night, and we were running before the wind. The man at the wheel must be told what direction to steer in order to miss Vatu Leile. But what direction? I turned me to the navigation books. “True Course” I lighted upon. The very thing! What I wanted was the true course. I read eagerly on: